Kunsthaus Bregenz - Peter Zumthor Essay Example | Topics and Well Written Essays - 6000 words

Kunsthaus Bregenz - Peter Zumthor - Essay ExampleKunsthaus sits near the east end of the Lake Constance, after at long last being erected in 1991. The construction was in accordance with the order placed by Land Vorarlberg authorities. It was to piece of cake a role of major tourist attraction in this well-visited part of northern Austria. Thus the layout and architectural organization in general conform well to the function of a public site that is to shirk an educational and partly recreational role in the area. The significance of Kunsthaus lies mainly in the superb good skill with which Zumthor constructed this major oeuvre of todays glassworks architecture. The organizational and designing solutions found in Kunsthaus are therefore of a major interest to those architects that begin their career in this sub-field. Moreover, Kunsthaus whitethorn tell us what principles lay in the foundations of the post-modern glassworks architecture as a whole. An emphasis on the construction of the public spot and public light modes make this building an excellent example of the glassworks. The scope of this study will outline the main architectural innovations that the glassworks architecture experienced in the 1980s to 1990s along with the context of a change in public perception of architecture in general. Such issues as the use of proper construction materials, the tune of a buildings organization strategy to the need of producing particularized visual effects, and so forth are thus to be frequently touched upon in the designate study. Yet, at the same time, the paradox of architecture as a social field, as an expression, and the form of influence upon the public perception of space and time, is the main point of the concept. This focus will not be overlooked in fulfilling the studys purposes. It is necessary to turn toward an intellectual and social contextual view of Kunsthaus along with Zumthors other projects. Inevitably, the concept of a minimal architec ture would arise here. As Hartmut Obendorf has mentioned in this regard, the rise of a minimalism is inexorably machine-accessible with the reaction against the aesthetic banality and visual excess that he found typical for the post-modern supermarket culture.1 In this way, a minimalist architecture may be contrasted with the lavish architectural styles that reigned supreme as former(a) as the 1970s.2 At the same time, the very concept of minimalism may be found questionable, as the works that are usually referred to as minimalist generally differ among themselves in some of the essence(predicate) architectural and conceptual qualities. For instance, Tony Fretton, one of the architects widely associated with the concept of minimal architecture finds the very definition not very useful.3 This aspect should likewise be touched upon in the context of the present study. The minimalist element as related to the Kunsthaus will be fully explained. Finally, the issue of methodology should be addressed. For the purposes of the present study the use of case studies will be used extensively, since the subject of the thesis concerns itself with a specific building situated within specific cultural, geographical, and socio-historical context. The research design of the study in general may be characterized as a qualitative one, as the quantitative elements of analysis (e.g. the exploration of spatial and geometrical organization of a building) are treated for purpose of establishing